Showing posts with label lars von trier. Show all posts
Showing posts with label lars von trier. Show all posts

Thursday, 18 December 2008

the element of crime (1984)



lars von trier's directorial debut tells the story of a detective provoked to return to his old beat in order to solve an old case. the film has a very unique look about it, in that it is largely filtered with a sepia tone, albeit with vivid occasional splashes of blue. british actor michael elphick leads the cast as the aforementioned detective, following the trail of a serial killer using a technique outlined in a book, the element of crime of the title.

following 'europa' i was very much looking forward to checking out some similiar period von trier, and 'the element of crime' didnt disappoint, in fact i found it to be much better than 'europa'. the concept and the style worked perfectly together, both really complimenting each other, making a film that is not just style over substance, but incredibly powerful at the same time. the world of the film reminded of the work of gilliam and early jeunet, creating, similiarly to 'europa' a very old fashioned future, except that the world of 'europa' was a very futuristic past.

as to whether the film will hold up to repeated viewings im not sure, but the initial experience alone was incredibly inspiring, leading to what i would consider one of the best screenings i have seen in a long time.

Wednesday, 3 December 2008

europa (1991)




having never had a great deal of luck with lars von trier i approached europa with some trepidition. granted, my previous endeveours within his work all circled around that of the dogme period, and this looked very different. europa centres around the story of a young american man who heads to germany after the second world war in order to work with his uncle as a ''sleeping car conductor''.

the look of the film is what appeals most. using lots of back projection von trier creates a world that is reminescent of the type of film one would expect from the period of the films setting, but is almost cutting edge in its satirical note. as a fan of canadian avant-garde filmmaker guy maddin i noted many similiarities between europa and his work, be it in the use of film type and the style of the dialogue. it is said in the liner notes for criterion's new release that europa inhabits a setting that is an "oddly futuristic past", a description that i would wholeheartedly agree with.

one final note; max von sydow's iconic narration is outstanding. its a key ingredient with regards to clarifying the intended state of mind necessary with regards to viewing the film in the best way possible.